The House Blueprint is an elaborate home designed to evoke the fantasy of an ancient Egyptian cult and its supernatural denizens.
It’s the most well-known of the six house blueprints, with over 200 locations and an estimated $1.5 billion in global sales.
It was created in 1978 by a team of French artists who called themselves the “creators of the Sphinx,” according to a 2007 interview with the British artist Christian Fuchs.
“In this house, the Egyptian god Osiris, his wife and the rest of the family are living on a beach in Egypt,” the creators explained in the book The Blueprints.
“The house is full of statues and statues of gods and goddesses.
In this house the Egyptians lived for many centuries, with the whole universe connected to the house.”
The original blueprints have gone on to sell for $4.8 billion.
The house blueprint, meanwhile, is just a set of sketches that have been copied and modified many times.
“Blueprints are a really wonderful tool for exploring the mind of the beholder,” Fuchs told The New York Times in 2014.
“I love to work with blueprints.”
A copy of the house blueprint in French and English, in this undated handout photo.
“As far as I know, it has been done in a very scientific way,” Fuch said.
“But the inspiration comes from the imagination.”
The house was a major hit at Cannes Film Festival in 2009, with hundreds of thousands of people lining up to see the work.
And since then, the Blueprints have been a big seller at conventions and museums.
“If you want to see some of the people that were making these drawings,” Fuyt said, “there’s an exhibition on the Blueprint at the National Museum of American History in Washington.”
The Blueprint, which has been called the “greatest cultural touchstone of our time,” has been used in a variety of films, TV shows, commercials, and other artworks.
The French artist’s work was featured in a 2009 episode of House of Cards, as well as in an episode of The Walking Dead and an episode on Amazon Prime Video.
“There are a lot of people who love the blueprints and are very, very, appreciative,” Fuzes told The Times.
“For me, the best thing about them is that they are very simple, but they are incredibly rich.”
Fuchs is no stranger to the blueprint scene.
He has drawn and illustrated works on everything from the Red Square in Berlin to the Guggenheim Museum in New York.
“They are beautiful and they are really important,” Fucher said.
But Fuchs’ work with the house blueprint is the first time he’s drawn a creature, as opposed to a human.
“My hope was to make a creature that’s very, extremely human,” Fuf, who is the co-author of the book House Blue Print, told The Guardian.
“To have a creature with eyes and feet and a mouth and an ear.”
Fuch is also an avid fan of the work of artists like Vincent van Gogh and René Magritte.
“When you look at a work of art by these artists, you get a sense of the essence of humanity,” Fusch told The Observer.
It is a great way to express yourself.””
A house blueprint is a very important piece of art.
It is a great way to express yourself.”